Eyes Of A Stranger Lyrics

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Lyrics Can I touch you to see if you're real? Awesome song from an awesome band. Cause in nothing there's something I feel, Can my heart take the strain?

In your lips I sense a danger And you've got the eyes of a stranger. Eyes Of A Stranger by We have lyrics for 'Eyes Of A Stranger' by these artists: Beautiful building Burning on 14th street Eyes of a strang… And I bet that I would make a lot of… It's always the same When you're facing a new day You're h… A stranger I want you Out one night to seek a mate I… Through the eyes of a dreamer, She can watch herself; Bein… Tears running down From the face of the silence Into the d… Inducas nos in tentationem Ne inducas nos in tentationem … I think i know you when i look into your… Can I touch you to see if you're real?

Eyes Of A Stranger

The special effects, though relatively few in number, are handled by Tom Savini with his typical skill. Jane is a spunky, cute, but melodramatic news reporter determined to save Tracy, her blind and mute sister, from Stanley Herbert, a dangerous psychopath who has been stalking and murdering women in their neighborhood. Jennifer Jason Leigh successfully portrays Tracy as an interesting and sympathetic victim. And Stanley, as played by John DiSanti, is both garden-variety geek and savage maniac, a combination that makes him all the more unsettling. The final confrontation between Tracy and Stanley is especially gripping. Stanley is often inches away from the oblivious Tracy, and he adds to the torment by snatching objects away from her just as she reaches for them. Likewise, the fact that much of the final sequence is filmed with natural sound and no soundtrack another trick borrowed from Hitchcock helps build the tension. The final sequence is conceptually interesting as well. Tracy regains her sight and blinds Stanley, thus reversing if only momentarily their roles as predator and prey. This is also borrowed from Hitchcock. But I can forgive that one, too. I spent a good deal of time thinking about this question as I watched it. For instance, how in the world could I end up not liking Jane. And I absolutely do not like her. Somehow, her determination and sense of tragedy come across as, well, childish and whiny. She has the incredibly annoying habit of interrupting her co-workers in the middle of you ve got the eyes of a stranger on-air reports in order to chastise them for not taking Stanley Herbert as seriously as she does. She pouts and she mopes her way through the film. It really frustrates me that the film makes me not like her at all. This, in itself, is not a bad thing. Tarantino has made a brilliant career out of creating hybrid films. Eyes of a Stranger is part Maniac, part Rear Window, part Wait Until Dark, part Perry Mason, and part Nancy Drew Mysteries. His only role in the film is to periodically and austerely remind Jane that she has no real case against Stanley and that her evidence would never hold up in court. Early on in the film, I could tolerate David because I assumed his objections were meant to remind the audience that Stanley might not actually be the killer, and we should therefore keep our wits about us and you ve got the eyes of a stranger to figure things out. But the film spoils that potential by revealing Stanley to be the killer in the first half of the film. Hitchcock does this brilliantly in Rear Window. Nobody believes that Jeff has seen an actual murder. This kind of generic simplicity is also apparent when Jane turns into Nancy Drew. In Rear Window, Jeff cracks the case, so to speak, through sheer luck and persistent, nearly pathological voyeurism. Jane cracks the case by snooping out such clues as the fact that Stanley has a bloody shirt, a cuckoo clock, and a pair of muddy shoes, the latter of which she manages to snatch away in her junior-detective style evidence bag to present to the still incredulous David. Eyes of a Stranger is still worthwhile, if only for the final sequence. I too find the video clip inexplicable and disturbing. My first thought was that the dancer was performing a frenzied and ill-conceived homage to Flashdance, but it turns out that Eyes of a Stranger came first by about two years. Something about the compact and simplicity just amazes me. End of Days as the worst movie of all time?.

Cause in… Can I touch you to see if you're real? All alone now Except for the memories Of what we had and what we knew Everytime I try to leave it behind me I see something that reminds me of you Every night the dreams return to haunt me Your rosary wrapped around your throat I lie awake and sweat, afraid to fall asleep I see your face looking back at me And I raise my head and stare Into the eyes of a stranger I've always known that the mirror never lies People always turn away From the eyes of a stranger Afraid to know what Lies behind the stare Is this all that's left Of my life before me Straight jacket memories, sedative highs No happy ending like they've always promised There's got to be something left for me And I raise my head and stare Into the eyes of a stranger I've always known that the mirror never lies People always turn away From the eyes of a stranger Afraid to know what Lies behind the stare How many times must I live this tragedy How many more lies will they tell me All I want is the same as everyone Why am I here, and for how long And I raise my head and stare Into the eyes of a stranger I've always known that the mirror never lies People always turn away From the eyes of a stranger Afraid to know what Lies behind the stare. And I absolutely do not like her. In your lips I sense a danger And you've got the eyes of a stranger. But I can forgive that one, too.